#Milkys rf toem full#

A miniature sized herringbone wood from Relative Space covers the floor. Other fixtures, such as fibre-optic counter lights, were customized to suit the space. Anony designed intelligent light fixtures to control the ambiance and create the cloud effect. The travertine walls and ceiling were machine sculpted by Marbela.

The entire interior was custom designed and fabricated to outfit the interior of a container. Changes in material, colour, pattern, and details create two distinct spaces. Developed from the architectural language and graphic patterning created for Milky’s by Batay-Csorba Architects, Cloud Room achieves a familiar, yet new feeling.

#Milkys rf toem full#

Milky’s Cloud Room was designed and built by newly founded Full Fat Studio. Light moves at a very slow pace imperceptible when stared at, but noticeable over the time it takes to order and make a coffee. Embracing slow coffee, the new location features dynamically changing lights and a brew bar for making hand made coffee and tea.Ĭloud Room earns its name from moving light that collects shadows in the three dimensional travertine pattern covering the walls and ceiling, The effect mimics the shadows of moving clouds across the wall. Milky’s officially opened their second location, Cloud Room, on October 10th, 2021 in a shipping container at Stackt Market. Location: Stackt Market – 28 Bathurst Street, Toronto, ON M5V3W3, Canada It's certainly an affordable lens from Canon and that too should draw in more fence-sitters contemplating the R system.Milky’s Cloud Room, Toronto Cafe, Ontario Commercial Interior, Canadian Building, Architecture Images Milky’s Cloud Room in Toronto I have a feeling that the popularity of the RF 16mm f/2.8 will enable many people to dabble with wide-field astrophotography for the first time. Either way, it's bright enough and wide enough to be able to produce some excellent Astro-landscape images if you choose. Some journalists that have taken astrophotography shots for publication don't bother worrying about coma at all.Īs you observed, you should start seeing star movement (star trails) at around 30 seconds with a lens like this on a Full Frame camera. Coma is an element of Lens Character and it's also going to appear with wider FOV lenses. So price doesn't always enter into the equation. sometimes even much stronger than this lens. Yet some of Canon's best wide-angle L-series lenses produce notable coma towards the edges of the frame.

I suspected coma would be inevitable with a lens that sits in this price range - and the same applies to the RF 35mm Macro lens as well (which has coma even towards the center of the frame of shooting astro with it). The results look good and your observations seem dead on.

Same as above 100% crop, upper left corner some star trailing visible at 30s. Same as above 100% crop, upper left cornerĬanon R5, Rokinon 14mm at f/2,8, ISO3200, 30 However, I am quite pleased with the results considering the price and weight of this lens. The RF16 clearly shows a lot more coma and pretty serious vignetting, which leads to stars disappearing on the edges and in the corners. The images are not processed exactly the same way but the comparison might still be useful. Also shown are images of the same scene with the Rokinon 14mm f.2,8. It would be great if it could double as astro lens when more establishes solutions like my Rokinon 14mm are not available.īelow is a shot I took a couple of days ago and a screen grab from a 100% view. It nicely complements the 24-105 in that role. I view the 16mm f/2.8 primarily as lightweight wide-angle solution for travel when I don't want to carry my WA zoom.